Can television make our children smarter?

sunglasses_2Science and math are important, but are they entertaining? Can you develop a series around these subjects that will have kids leaving the mall early or abandoning their Xbox? With the current administration’s push on Science, Technology, Engineering and Math – also known as the STEM initiative – producers are creating programming and networks are designing channels that will both capture the imagination and catapult the younger generation to the stars.

But creating programming around science and math is not a new concept. Several years ago I worked with FASE productions producing a series called “The Eddie Files”. Each episode within the series was divided into three parts. One third was set in a classroom, one third was documentary, and one third was scripted. Through…

Do we really need TV news updates in the bathroom?

Bathroom newsIt wasn’t too many years ago when they put TV’s in elevators.  I must admit it was a marvel.  I could travel 32 stories straight up in a small box standing shoulder to knee with other New Yorkers and get the latest headlines, stock quotes and weather.  By the time I reached the 17th floor I was completely up to date with  world news.  Apparently that’s not good enough or accessible enough anymore, now we need to be plugged in while we’re visiting the rest room.

Cliché as it sounds, I never thought I’d live to see the day.  Here’s how it happened – I was at a meeting in the Time Warner Building last week, a beautiful structure located directly across from Central Park…

TV Production for the small, small screen

bigbyTV’s are getting bigger while television productions are gearing up for the smallest screen in the arsenal of viewing devices – the mobile phone.   Albie Hecht, the man behind SpongeBob SquarePants is rolling out his latest animated series Bigby to an iPhone near you.

Animation isn’t cheap to produce.  An episode of The Simpsons can cost as much as 3.5 million dollars.  An animated children’s television series is probably in the 200 – 400 thousand dollar range.  But producing for a mobile phone application is cheaper and easier to distribute.   At least that’s what Mr. Hect, former President of Nickelodeon Entertainment thinks.  As the mastermind behind bringing Jimmy Neutron to the web before debuting in the movie theater, Mr. Hecht is hoping his new series…

Citizen Journalist – The New Reporter on the block

youtube2_jjpgGot a video recording device?  Congratulations you’re a journalist.  YouTube announced the launch of YouTube Direct, a new tool that allows news and media organizations to request, review, and rebroadcast YouTube clips directly from YouTube users. Let me spell it out for you.  If you have a camera, a phone that records video or a flip device you can record a town hall meeting, a fire, an earthquake, a murder, or take a public opinion poll and upload the clip for use by news organizations.  You needn’t bother learning the craft of journalism, you don’t have to know how to write, it’s not necessary to have ever worked on a video crew before, you just need a recording device that you can point and shoot…

Are Show Runners like Great Conductors?

leonard_bernstein_bwA conductor’s role is to make sure the orchestra plays together and is well balanced. A great conductor, together with the orchestra makes music. And that’s really what a show runner’s job is — to make sure everyone in his or her ‘orchestra’ plays together and creates compelling television people want to watch. Achieving that goal can be compared to the various styles of great conductors.

The Happy Happy Style
The show runner is cheery creating an atmosphere of autonomy amongst all the individual members of the production team. However, if everyone is in charge, and no one is the leader,  it tends to create an atmosphere where mistakes are made and it takes twice as long to make a decision.

The Do It My

Behind the making of Reality TV Shows

LA_InkMatthew Ostrom is the VP of Current Series and Development for Original Media. Matt and I worked together several years ago and since then he’s been busy creating original programming for a wide variety of networks.  In his current position he has executive produced a large slate of original shows including King of Dirt, Masters of Reception, Swamp People, Destination Design, LA Ink, Storm Chasers, BBQ Pitmasters and many more.  I asked Matt to give us an inside look into how a show goes from an idea to a series.

How did you get involved in production and development?
Matt: I started doing television production in college and then moved to New York City for an internship at HBO…

TV and Film People Break the Rules on Twitter

Social media experts have devised a formula for success on twitter: 70% sharing information with others, 20% engaging in conversation and 10% promotion.  I’ve never been one to follow rules – it’s  not that I generally work outside convention, but when I hear the words ‘should’ or ‘must’ I tend to closely inspect the source and see if it’s right for me before I blindly follow.  However, following is what it’s all about on Twitter.

I tend to follow TV production people and film makers.  I would definitely call this group ‘rule breakers’.  Seriously, can you make a film or television show without breaking some rules?  By nature, this is a group that likes to talk and needs a place to promote their work.  That’s…

You Cut the Budget to What?!

100dollarbillsThere are really only two tricks to producing on a small budget – hire the right people and do as much as you can yourself. Gone are the heady days when budgets were plentiful and the Brinks Truck backed up to your office and spilled piles of money onto your doorstep. We’re living in a time where we have to learn how to produce on smaller budgets while producing the same great quality work.  I affectionately call these minimalist budgets, “Working on the I and I tour. “ (The insult to injury tour).  Where once you had 3 production assistants at your beck and call, now you’re the beck and call girl.  No shame, it’s just people aren’t shelling out large sums of money these…

Hire a DP that’s braver than you are

ledge_2_1When I hire a DP I have a couple of musts – they must have a terrific eye, they must have a personality, and they must be braver than I am.   I’ve found myself producing some unlikely scenarios over the years, and the brave qualification has come in very handy.

For a Discovery Channel series I had to shoot inside a factory that builds 150 feet tall wind turbines.  I found myself ducking and weaving under 10 tons of flying steel.  The crew wore steel toed boots, heavy duty helmets, and eye protection gear to keep our eye sockets from melting in the event a stray splat of molten lava hit us in the face.  I thought I was pretty brave just to walk in…

Stand Up and Make Your Production Go Right!

Rowing-inside-boat-480

Producers by nature are supposed to be good communicators. Remarkably  I’ve found many who aren’t. Shocker, right? It’s astounding how many production companies don’t let their ‘rank and file’ know what’s going on day to day in a production. Productions are alive with lots of moving parts and I liken it to several dozen people rowing a boat with one person in charge. If the person at the helm doesn’t keep everyone going in the same direction, you’ll end up with oars moving in many different directions. Can you spell c-a-p-s-i-z-e? How can you avoid drowning in a sea of production details? The answer: hold a meeting.

Meeting!? Ugh – I know you’re probably thinking “Isn’t that what they do in corporate America…