Mad Men’s makeup department head, Debbie Zoller talks about the look for the series.
The newly branded TeenNick (formerly The N), has started production on an original half-hour dramedy Gigantic. Shot at various locations around Los Angeles, Gigantic is about the life of being a Hollywood “it” kid. Considering the TeenNick audience is surrounded by pop culture, I would imagine this show will hit the mark. Nickelodeon is clearly on board with this show with a 20 episode order.
Set to premiere in 2010, the series stars Meryl Streep’s 23-year-old daughter, Grace Gummer (not exactly coming of age) and Joe Mantegna’s daughter, Gia. It also marks the first production from the new company Grady Twins formed by executive producers Marti Noxon’s (Buffy theVampire Slayer, Grey’s Anatomy, Mad Men, Point Pleasant) and Dawn Parouse Olmstead (Prison Break, Point Pleasant, Tru Calling) . Also on board as executive producers are Reveille’s Carolyn Bernstein and Todd Cohen. Gigantic was first brought to the network by the brother and sister team of Ben and Debby Wolfinsohn.
You may be one of the people who has made the video “Finding Masculine Halloween Costumes For Your Effeminate Son” popular on YouTube. Or you, like thousands of others, may have watched “HOT REPORTER GETS HUMPED!! “ while strolling through the various offerings, but if YouTube asked you to pay to view these videos would you hit the play button? I think not. And I think that’s why the cry heard ‘round the internet this week was so deafening when Chase Carey, the Deputy Chairman of News. Corp — co-owners of Hulu – said they would be charging users in 2010. I’m not comparing Hulu to YouTube in terms of offerings/content, but it is yet another destination on the web that has made us accustomed to free on-line content; so much so that we’re declaring it an ‘inalienable right’ – otherwise why all the clamor?
In truth very few things are free. For example, there is no free TV. If you want reception you at least have to pay for basic cable. It you want original programming and movies with no commercial interruption you have to pay for a premium service. The same is true to varying degrees with the internet. We’re all paying, whether it’s for basic cable, an internet connection, WiFi, or a mobile device. We pay because we want to be connected and we want to be entertained.
Hulu won’t be offering “The Cat That Licked Himself” for money or for free – that’s not their style. Instead, they’ll continue to offer broadcast shows and movies for free, in addition, they’ll offer a premium service that you can choose to pay for or not. The question I ask is will they take internet television to the next level the way premium cable channels have boosted cable?
When HBO first started their pay service it seemed like you could watch one of two things; the movie “The Jazz Singer” starring Neil Diamond, or live ball room dancing from a studio in Harrisburg, Pennsylvania. It wasn’t much; in fact it was ridiculous to charge for it, but we purchased it in order to get cable reception. Eventually premium cable gained subscribers by offering well scripted original programming you couldn’t find anywhere else. Sex and the City,The Sopranos, Weeds, Dexter, The Tudors and Entourage to name a few.
Hulu already has an audience, and if they can deliver something new – they can capture the market. Perhaps they’ll offer niche programming channels that are interactive or a new breed of branded web series. The question isn’t whether they will morph and change, the question is what will they morph into. Call it change, call it growth, heck – call it capitalism. Whatever you call it, I see it as a good thing for those of us that enjoy being entertained.
So the question remains. When content hubs like Hulu or Fancast or TV.com do morph and provide us with original, interactive programming we can’t get anywhere else will you pay? I ask myself the same question and the answer is yes. But I’m posing the question to you – Would you pay for Hulu and what type of service would they have to provide in order for you to whip out your credit card?
Stop by Thursday, October 29th, for my interview with Executive Producers Joke Fincioen and Biagio Messina – the talent behind VH1’s Scream Queen and CW’s Beauty and the Geek. Get an inside look at the making of a Reality TV Show.
Obesity in America is an epidemic. One in twenty-five children is obese. We’re feeding our kids, high fructose corn syrup and hydrogenated oils. Both chemicals are designed to give food a shelf life of six years – imagine what it’s doing to your insides. Not that I don’t enjoy the occasional coke and large package of Twizzlers while I’m watching a movie. But the fact is, good nutrition is something that has to be taught, and I think NBC feels they’re the ones to give us the lesson. Wasting no time, they’re capitalizing on this rapidly growing concern by picking up a Biggest Loser spinoff starring trainer Jillian Michaels. The network has ordered eight episodes of Losing It with Jillian Michaels, produced by Reveille and Empowered Media. The premise of the show is that Michaels will move in with families (with children ages nine and up) to change their diet and exercise habits.
Walgreens launched Health Corner TV today, a website featuring 1200 videos on health and wellness. In addition to topics ranging from acne to heart disease they will also have celebrity interviews. Interviews include Sally Field on osteoporosis, Suzanne Somers on anti-aging, Jamie Lee Curtis on gastrointestinal health and Patti Labelle on diabetes.
If you’re in NYC looking for something to do – why not watch a live TV show being taped?
The Daily Show
Tapes every Monday through Thursday at 5:45pm. To request free studio audience tickets to attend a live taping, please visit: www.thedailyshow.com. You must be 18 or over to attend.
Late Night with Jimmy Fallon
Following the promotion of Conan O’Brien to the host of the Tonight Show, Saturday Night Live alum Jimmy Fallon took over as host of Late Night, which O’Brien hosted for sixteen years after replacing David Letterman. Tickets are available by calling the ticket office at 212-664-3056. Up to four tickets may be requested. For standby tickets, arrive no later than 9am on the morning of the taping
Live with Regis and Kelly
Although the studio’s official address is 7 Lincoln Square, New York, NY 10023, the easiest way to locate the studio is to find the corner of West 67th and Columbus Ave. Arrive as early as 7am for a standby number. After ticket holders are seated, standbys are seated on a first-come, first-served basis.
Executive produced by Micheal Slezak this web series is funny, irreverent and says everything you think but don’t say about reality TV.
If you want a lunchtime laugh, or an after dinner chuckle, tune in to Réalité
The original series ‘Dexter” had a record breaking 4th season premiere on SHOWTIME. With so many viewers riveted to the vigilante serial killer why not give the people more? The network will launch an exclusive animated webisode series entitled Dexter: Early Cuts. The twelve-part series told in four, one to two minute chapters, will premiere on Sunday, October 25 on www.sho.com.
